1/13/2024 0 Comments Best way to tame a snappy snareUsed some fairly generous compression (well actually an 1176 at 12:1 or 20:1 I believe) and everything just had that right coloration with barely any eq or verb at all. Mic was up about 3 feet and angled diagonally towards the source with the low-cut engaged. It was in an untreated room with hardwood floors outside my control room. Should You Compress Reverb? The Real Answer Finally Revealed.I tried recording some percussion layers (tamborurine, shaker and bongos) for a recent tune with a fig 8 ribbon mic through a neve emu pre for the first time and it sounded f-ing fantastic.How to Use Parallel Compression for Powerfully Punchy Mixes.How to Use Mid-Side Compression for Amazing Recordings!.Multi-band Compression Tutorial for Great Vocals, Drums & More!.3 Tips for Using a Sidechain Compressor to Add Punch & Clarity.Sidechain Compression Explained for Beginners & Key Settings.How to Use a Compressor: Learn to Mix with Compression Quickly!.This is only one part of mixing with compression! Luckily, I've put together a bunch more articles to help you master this crucial mixing skill! You can often use a medium to fast compression and a fast release with a ratio between 3:1 and 4:1, dialing in around 3-5dB of gain reduction I usually like to approach this part of a tambourine’s sound like a snare, due to its snappy qualities. The snap of a tambourine on an accentuated beat often needs control to sit back in the mix, especially when doubling the snare. The attack setting is by far the most important here, as you can use it adjust the amount of snap your hand drums have.Ī slower attack will give you more snap, while a faster attack will give you less.Ī tambourine that is too dynamic can be incredibly annoying to listen to, which is often why I use compression to limit the dynamics between the louder and softer parts of the rhythm. I’ll typically start with a 3:1 to 4:1 ratio and dial in around 5-6dB of gain reduction to keep these instruments in place. With fast transients and uniquely tonal sustains, there’s a lot of character that’s easy to destroy with the wrong compression settings. I often think of congas and bongos like snares when treating them in a mix. The key is making sure your attack isn’t so fast that it diminishes the transient of your cowbell in any way, as this could take away from its rhythmic properties. An 1176-style compressor is great for this type of fast control. The release can also be fairly fast, especially if you want to maintain the tail of the cowbell. I often like to start with a ratio between 3:1 and 6:1, and a slightly fast attack, anywhere from 10-20ms. When it comes to cowbell compression, you’ll need settings that can catch the transient to keep it from poking out of the mix. The cowbell is an instrument with a heavy attack and a quick sustain and release. The transients in certain percussion instruments are poking out too much and I want to tame them (you can also try using one of these great transient shaper VST plugins).I want to add glue to my percussion bus to make everything feel like it’s playing together (this article will teach you how to use bus compression to create glue). ![]() I usually compress percussion for two reasons: Here's a description of all the different drums and percussion of the world. Percussion instruments include shakers, tambourines, cowbells, bongos, congas, djembes, and much more! The difficult of compressing these types of instruments is that they all have vastly different transient characteristics.Ī set of bongos will sound much more like a snare drum, meaning it will require different settings than a shaker or tambourine. To me, percussion is a broad term for any rhythmic instrument that acts as a peripheral to your typical drum set. ![]() Note : This article may contain affiliate links, meaning I would receive a commission - at no cost to you - for any products you purchase. There are a lot of different percussion instruments out there, and most of them benefit from some compression! In this guide you'll learn some of the most popular compressor settings for common percussion instruments, as well as tips for applying "glue" compression to your compressor bus.
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